Avis Ann is a Korean born Artist
and a
Creative, currently based in the UK. She ponders the human condition — living in this world.


She creates environments and hypothetical scenarios that evoke and amplify these feelings, facilitating breezy production and its communication. With a keen interest in democratization of experiential quality of art, she makes multi-sensorial art, public installations, and sometimes pseudo marketing campaigns.

After working some long time in advertising agency, Avis is currently started school again in London, pursuing a Master’s degree at the Royal College of Art.

Email
SoundCloud



Experience
Artist
South Korea & Singapore
2019-

Creative
TBWA\, Singapore
2019-2023

Research intern
National Gallery, Singapore
2018


Education
MA Royal College of Art
2024-2025

BFA First Class
Goldsmiths’, University of London
2017-2019


Features
KADIST(2024)
National Heritage Board (2023)
Korea Economic Daily(2023)
Big Duck Music: Sonic Art-making: Five Singaporean Artist-Musicians to Know (2022)
Object Lessons Space: Yeyoon Avis Ann on Randomness... (2021)
NME (2020)
Plural Art Magazine (2020)
Art Review (2020)
Exhibitions
SAM Contemporaries: Residues & Remixes
Singapore Art Museum (2023)

Open_Systems 1.4_Unrealpolitik
Singapore Art Museum (2023)


Sugar Pills for a bitter world
Objectifs - Centre for Photography & Film (2022)

Not For Sale
Digital Bilboards at multiple locations
at Singapore and Dubai (2022)

Time Passes
National Gallery Singapore (2021)

n Entities (Solo)
Penta Prism Project - South Korea (2021)

Technology in Art
Supernormal Space, Singapore
(2018)

Singapore Media Arts Festival 
Gliman Barracks, Singapore
(2015)


Residency
Hot.House Residency
(2020)


Award

Winston Oh Award
(2017)




HAHA ELEMENT
 
??? 
???
Notion page to ideas.




Public Installation
Singapore Art Museum 2023 - 2024
A little spin to our reality.



  
Music Video
NME, Athens Film Festival, KADIST 2021
Between violence and utopia.



Branding/Web Design 
Objectifs 2023
A brand created only out of desirability. 



Branding/Interface Design
Hot.House, Singapore Art Week 2023
Why are we not paying for seeing?



Multimedia Performance
Esplanade, Singapore Art Museum
 2022, 2023
Intensifying the dynamism of the fragments.


    

Sculpture/3D Printing
Singapore Art Museum 2023
A way to capture time and movement.



Video Art 
2018
In search for geunity in a media saturated world.



Installation 
Supernormal Gallery, KADIST 2019, 2024
How should we live in an image-saturated world? 



VJing
Esplanade, CAKE Theatre 2021
Immersive storytelling of a man's descent into decadence.



Video Art 
Supernormal Gallery 2017
Just wanted to see a bird gliding longer.